An analysis of hemingways philosophy in the old man and the sea

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An analysis of hemingways philosophy in the old man and the sea

After graduating from high school he went to work as a cub reporter for The Kansas City Star[1] where he quickly learned that truth often lurks below the surface of a story.

As foreign correspondent for the Toronto Starwhile living in Paris in the early s, he covered the Greco-Turkish War in more than a dozen articles. As his biographer Jeffrey Meyers explains, "he objectively reported only the immediate events in order to achieve a concentration and intensity of focus—a spotlight rather than a stage".

He believed fiction could be based on reality, but that if an experience were to be distilled, as he explained, then "what he made up was truer than what he remembered". The dignity of movement of an ice-berg is due to only one-eighth of it being above water.

A writer who omits things because he does not know them only makes hollow places in his writing. In A Moveable Feasthis posthumously published memoirs about his years as a young writer in Paris, he explains: This was omitted on my new theory that you could omit anything If you leave out important things or events that you know about, the story is strengthened.

If you leave or skip something because you do not know it, the story will be worthless. The test of any story is how very good the stuff that you, not your editors, omit. Hemingway said that only the tip of the iceberg showed in fiction—your reader will see only what is above the water—but the knowledge that you have about your character that never makes it into the story acts as the bulk of the iceberg.

And that is what gives your story weight and gravitas. Of his iceberg theory, she claims, it "is also a glacier waterfall, infused with movement by his multi-focal aesthetic". For example, Benson postulates that Hemingway used his experiences and drew them out further with "what if" scenarios: What if I were wounded and made crazy, what would happen if I were sent back to the front?

The means of achieving a strong drama is to minimize, or omit, the feelings that produced the fiction he wrote. He makes use of physical action to provide an interpretation of the nature of man's existence. It can be convincingly proved that, "while representing human life through fictional forms, he has consistently set man against the background of his world and universe to examine the human situation from various points of view.

However, in "Indian Camp" the use of descriptive detail such as a screaming woman, men smoking tobacco, and an infected wound build a sense of veracity. So the war, all mention of the war, anything about the war, is omitted. Moreover, the story " A Clean Well Lighted Place " which on the surface is about nothing more than men drinking in a cafe late at night, is in fact about that which brings the men to the cafe to drink, and the reasons they seek light in the night—none of which is available in the surface of the plot, but lurks in the iceberg below.

He explains that as an author creates a "distance" between himself and the character he "becomes more practiced, it would seem.Hemingway's The Old Man and the Sea is the deceivingly simple story of an old Cuban fisherman who undergoes the most difficult struggle of his life.

Despite being a relatively short work, the novel is filled not only with drama but with the parable of one man's perseverance through the hardest of times. Certainly, The Old Man and the Sea fits that description.

The novella invites, even demands, reading on multiple levels. The novella invites, even demands, reading on multiple levels. For example, readers can receive the novella as an engaging and realistic story of Santiago, the old man; Manolin, the young man who loves him; and Santiago's.

An analysis of hemingways philosophy in the old man and the sea

ANALYSIS. The Old Man and the Sea () Ernest Hemingway () Hemingway knew this was his greatest work of art: “This is the prose that I have been working for all my life that should read easily and simply and seem short and yet have all the dimensions of the visible.

Santiago - The old man of the novella’s title, Santiago is a Cuban fisherman who has had an extended run of bad luck. Despite his expertise, he has been unable to catch a fish for eighty-four days. He is humble, yet exhibits a justified pride in his abilities. His knowledge of the sea and its. Unlock the more straightforward side of The Old Man and the Sea with this concise and insightful summary and analysis!

This engaging summary presents an analysis of The Old Man and the Sea by Ernest Hemingway, one of the author’s most famous and widely acclaimed novels. Ferdinand phase half cut, its dele very longitudinally. The definitive Guthrey disorganizing terribly prolapsed neighborhoods.

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